Seminar
September 21, 2012
12:15 PM
Collins Conference Room
Graham Sack (Columbia University)
Abstract. The purpose of this paper is to explore the evolutionary dynamics of literary genre: the development of the 19th Century British novel is used as a motivating case study. The authors construct an agent-based model
consisting of two interacting levels: (I) A genetic algorithm in which cultural forms (e.g., works of literature, pieces of music, etc.) are represented as binary feature strings. Cultural forms evolve across generations via asexual and sexual reproduction. Genres are represented as hierarchical clusters of similar feature strings. (II) Cultural forms are subjected to the selection pressure of consumer preferences. Preferences are heterogeneous: each consumer’s tastes are represented by an ideal point in feature space. Preferences are configured in landscapes that vary in their levels of structure, entropy, and diversity. Landscapes are dynamic and may change due to (1) exogenous demographic shifts (e.g., population growth, generational turnover) or (2) endogenous feedback effects (e.g., preference co-evolution, conformity / anti-conformity effects).
Purpose: Research Collaboration
SFI Host: Simon DeDeo
The popular Science On Screen series continued Wednesday, May 8, with SFI's Simon DeDeo and the 1992 cult hacker film Sneakers. If you missed it, you can hear DeDeo ...
SFI's 2013 Community Lecture series debuted March 14 with UC-Boulder's Leysia Palen describing how victims, observers, and “citizen-responders” are using modern technology to participate in disaster response. Watch ...
Speaking at SFI yesterday, noted climate scientist James Hansen told an overflow crowd that efforts to stem climate change will be ineffectual as long as fossil fuels remain the cheapest ...
SFI's crowdfunding campaign has reached its goal. The resulting research will help scientists preserve the threatened landscapes on which indigenous human groups depend.
The 2012 Science On Screen series in Santa Fe wrapped up December 13 to a full house, with "The Gods Must Be Crazy" and Murray Gell-Mann's distinctive insight and ...